Sun Return (1996)


During the writing and recording process, there were several works that didn’t fit into anything else. These three pieces have very little in common aside from being the only ones that didn’t fit in with anything else, so when I cleaned house they all went into the same bucket. The name comes from the last piece, “Fanfare to the Sun,” which was written for one of my Mother’s “Solstice Parties,” which she held for several years instead of a Christmas party: the darkest time of year turning around and heading for spring. The cover art is a photo of one of the spring Crocus in my yard.

“Aori Harp” started life in the dorm my senior year at college, but languished for several years. Parts of it are antiphonal, parts interwoven.

After I graduated from college, I acquired a small folk harp which played a central part in the creation of “Firelight Dance.” Again, it languished for some time before begin expanded into an ABA form and recorded.

“Fanfare to the Sun” was originally written for one of my mother’s Solstice parties, performed via tape (before CD burners became affordable) for the attendees at the height of the party, where it was well-received. Being wholly done via synthesizer my “performance” of it was limited to sticking a tape in the tape player and pressing play, but that’s close enough for me. Listen for the marimba to come alive near the end to usher in the lengthening days.

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