Like “Sun Return,” “Stringy” is a collection of pieces that didn’t originally fit together. These, however have one element in common: all use some subset of a string quartet plus an organ. The cover art is water cascading down the side of a fjord in Alaska, which in my mind looked like white threads being braided together (or unraveling, depending on point of view) from mountaintop to ocean.
“Prelude” serves simply as an introduction to the set of pieces.
“Stringy” began life in one of my music theory classes as the centerpiece of a string quartet, but I never got around to writing the other movements, so it got swept in with the other string-oriented pieces. It is the only one of the pieces here that lacks the organ, and is also the only one in a traditional form: sonata form, by the book.
“Threesome” and “Whip Tail” are two short pieces each of which I wrote solely to get out of my head and onto a piece of paper.